Jeanne Mammen. Untitled. Her painting and the ones below capture the joys and anxieties of living the modern between the forces of time and sex. This productive ambivalence expresses itself in clothing, bodily comportment, sexual and gender self-fashioning, and one’s relation to others.
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Christian Shad. Portrait of Count St-Genois d’Anneaucourt. 1927. 
Jeanne Mammen. Sie repräsentiert. 1928. 
Ernst Ludwig Kirchner. Die Straße. 1913.
