For more information about these papers, please contact me! I look forward to our conversation.

2019: KLAUS MANN’S DER FROMME TANZ AND HOMOSEXUALITY AS LIFE

Presented at the 2019 workshop “The Mann Family: Lives and Fictions,” at Dartmouth College.

2019: THE PROPULSIVE AUGENBLICK OF HOPE: ANNEMARIE SCHWARZENBACH’S EINE FRAU ZU SEHEN AND THE UTOPICS OF QUEER FEMALE SUBJECTIVITY IN THE LATE WEIMAR REPUBLIC

Presented at the 2019 German Studies Association Convention for the panel “Modern Women in a World of Possibilities.”

2019: MARIELUISE FLEIßER’S NARRATIVE DOUBLINGS & THE POLITICS OF ‘FEMININE’ NARRATION IN THE LATE WEIMAR REPUBLIC

Presented at the 2019 Midwest Modern Language Association Convention for the panel “Transgressing Gender Ideals in German Women’s Writing.”

2018: WHO AND WHERE IS “MODERN”? MARIELUISE FLEISSER’S EINE ZIERDE FÜR DEN VEREIN AND THE UNGLEICHZEITIGKEITEN OF GENDERED SUBJECTIVITY

Presented at the 2018 German Studies Association Conference as a participant in the seminar “Weimar Culture Revisited.”

2017: “ICH GLAUBE AN DIESE WELT”: KLAUS MANN’S DER FROMME TANZ AND QUEER HISTORICITY

Presented at the 2017 German Studies Association Conference for the panel “Sexuality and Time in the Weimar Republic and Beyond.”

2016: “EIN ZUSTAND DER LOSGELÖSTHEIT”: SIEGFRIED KRACAUER’S THEORIES OF SUBJECTIVITY IN GEORG

Presented at the 2016 graduate student conference “The Aesthetics of Dissonance” at Yale University, hosted by the Department of Germanic Languages and Literatures.